Like most British pop, Lily Allen's debut album, Alright, Still, overflows with impeccably shiny, creative productions. However, Allen attempts to set herself apart from the likes of Rachel Stevens...
more
Like most British pop, Lily Allen's debut album, Alright, Still, overflows with impeccably shiny, creative productions. However, Allen attempts to set herself apart from the likes of Rachel Stevens, Natasha Bedingfield, and Girls Aloud with a cheeky, (mostly) amusing vindictive streak in her lyrics that belies the sugarcoated sounds around them. You know exactly what she means when she says her ex is "not big whatsoever" on "Not Big"; later, she revels in being the one that got away on "Shame for You." However, this nice-then-naughty approach is at its best on Alright, Still's singles, which open the album in a one-two-three punch. Another ex-boyfriend kiss-off, "Smile," has a silky verse melody that just barely conceals her spite, which finally spills over on the chorus: "At first, when I see you cry/It makes me smile." But even here, Allen keeps her revenge sweet -- she sounds like she's singing about how ice cream or puppies or being in love make her smile, which gives the song an extra sting. "Knock 'Em Out" is an even sassier, more stylized battle of the sexes than the Streets' "Fit But You Know It" (and could very well be the response from the girl in Mike Skinner's song). And "LDN" is a glorious summer confection, even if "it's all lies" underneath the Lord Kitchener sample and "sun is in the sky" chorus. Alright, Still's production and arrangements, courtesy of Greg Kurstin, Mark Ronson, and Futurecut, balance Allen's tart observations with a backdrop of pop-grime ...
less